- Director’s Foreword
- Acknowledgments
- A Deliberate and Reflective Aesthetic: Bridget Riley in the USA — Rachel Stratton
- Perceptual Abstraction: A Reflection — Bridget Riley
- The Space Between: An Introduction to the Exhibition — Maryam Ohadi-Hamadani
- Catalogue
- 1. Movement in Squares
- 2. Horizontal Vibration
- 3. Off
- 4. Uneasy Centre
- 5. Broken Circle
- 6. Climax
- 7. Shuttle 2
- 8. Suspension
- 9. Blaze 4
- 10. Current
- 11. Untitled [Fragment 1]
- 12. Untitled [Fragment 2]
- 13. Untitled [Fragment 3]
- 14. Untitled [Fragment 4]
- 15. Untitled [Fragment 5]
- 16. Untitled [Fragment 6]
- 17. Untitled [Fragment 7]
- 18. Study for Black to White Discs
- 19. Black to White Discs
- 20. Hesitate
- 21. Arrest 2
- 22. Exposure
- 23. Static 4
- 24. Deny 1
- 25. Untitled [Nineteen Greys A]
- 26. Untitled [Nineteen Greys B]
- 27. Untitled [Nineteen Greys C]
- 28. Untitled [Nineteen Greys D]
- 29. Late Morning 1
- 30. Late Morning
- 31. Chant 2
- 32. Cataract 3
- 33. Scale Study for ‘Cataract’ Series [Turquoise and Red Greys]
- 34. Rise 2
- 35. Elysium
- 36. 2 Colour Twist — Blue/Red and Violet/Yellow, Series 41 — Green Added
- 37. Series 41 Red Added — Green and Violet, Blue and Yellow
- 38. Streak 3
- 39. Lilac Painting 5
- 40. Vein
- 41. Things of Change
- 42. Fleeting Moment
- 43. New Day
- 44. Reflection 2
- 45. July 18 ’89
- 46. 23 September, Bassacs
- 47. Rêve
- 48. Enchant
- 49. Vapour 3
- 50. Measure for Measure 13
- 51. Measure for Measure 36
- 52. Intervals 16
- 53. Sketch for “The Haywain”
- 54. Path on the Side of a Mountain, Eaux-Bonnes, the Pyrénées
- On Works by Constable and Delacroix — Bridget Riley
- Works Referenced
- Notice of Copyright