Works Referenced

Albright-Knox Art Gallery. Contemporary British Painting and Sculpture: From the Collection of the Albright-Knox Art Gallery and Special Loans. Buffalo, NY: Albright-Knox Art Gallery, 1964.

Alloway, Lawrence. Systemic Painting. New York: Solomon R. Guggenheim Foundation, 1966.

Anonymous. “Jackson Pollock: A Questionnaire.” Arts and Architecture 61, no. 2 (February 1944): 14.

Baro, Gene. “Bridget Riley: Drawing for Painting.” Studio International 172, no. 879 (July 1966): 12–13.

Barrett, Cyril. Op Art. London: Studio Vista, 1970.

Bracewell, Michael, ed. Bridget Riley. Edinburgh and London: National Galleries of Scotland and Hayward Gallery, 2019.

Bracewell, Michael, Bridget Riley, and Robert Kudielka. Bridget Riley: Flashback. London: Hayward Gallery, 2010.

Cooke, Lynne, and John Elderfield, eds. Bridget Riley: Reconnaissance. New York: Dia Center for the Arts, 2001.

De Sausmarez, Maurice. Bridget Riley. Greenwich, CT: New York Graphic Society, 1970.

Dickinson, Geoffrey. “London: The Swinging City,” Time, April 15, 1966, cover.

Ehrenzweig, Anton. Bridget Riley. London: Gallery One, 1963.

Findlay, Michael. “Vogue’s Notebook: A Fizzy Dinner for Artists at the Museum of Modern Art,” Vogue, May 1965, 134–135.

Follin, Frances Marie. Embodied Visions: Bridget Riley, Op Art and the Sixties. London: Thames & Hudson, 2004.

Glaser, Bruce. “Questions to Stella and Judd.” Art News 65, no. 5 (September 1966): 55–61.

Hess, Thomas. “You Can Hang It in the Hall.” Art News 64, no. 2 (April 1965): 41–43; 49–50.

Housley, Kathleen L. Emily Hall Tremaine: Collector on the Cusp. New Haven, CT: Emily Hall Tremaine Foundation, 2001.

Janis, Sidney, ed. Bridget Riley. New York: Sidney Janis Gallery, 1975.

———, ed. Bridget Riley. New York: Sidney Janis Gallery, 1978.

Krauss, Rosalind. “Bridget Riley, Exhibition at Richard Feigen Gallery.” Artforum 4, no. 10 (Summer 1966): 51–52.

Kudielka, Robert, ed. Bridget Riley: Dialogues on Art. London: Zwemmer, 1995 (rev. ed., The Bridget Riley Art Foundation, 2019).

———, ed. Bridget Riley: Works, 1959–78. London: British Council, 1978.

———, ed. The Eye’s Mind: Bridget Riley: Collected Writings 1965–1999. London: Serpentine Gallery; De Montfort University; Thames & Hudson, 1999.

———, ed. The Eye’s Mind: Bridget Riley: Collected Writings 1965–2009. London: Ridinghouse, 2009.

———, ed., with Alexandra Tomassini and Natalia Naish. Bridget Riley: The Complete Paintings. London and New York: The Bridget Riley Art Foundation; Thames & Hudson, 2018.

Masson, André. “Monet” (1952). In Barbara Ehrlich White, ed., Impressionism in Perspective. Englewood Cliffs, NJ: Prentice Hall, 1978.

Melville, Robert. “Abstract Illusionism.” New Statesman (October 16, 1964): 588.

“Miss Bridget Riley and Optical Art.” Times, April 19, 1965, 4.

Moorhouse, Paul. Bridget Riley: The Curve Paintings, 1961–2014. London: De La Warr Pavilion; Ridinghouse, 2015.

———, ed. Bridget Riley: The Stripe Paintings, 1961–2014. New York and London: David Zwirner Books, 2014.

———, ed. Bridget Riley: Venice and Beyond. Sheffield and London: Museums Sheffield; Ridinghouse, 2016.

Morgan, Jessica and Flavia Frigeri, eds. The World Goes Pop. London: Tate Publishing, 2015.

Müller-Hauck, Janni, ed. Documenta 4: Internationale Ausstellung. Kassel, Germany: Fridericianum, 1968.

Museum of Modern Art. The Responsive Eye. Press release 50, September 25, 1964. MoMA press release archives.

Reinhardt, Ad. Reinhardt to Samuel J. Wagstaff, postcard, July 23, 1964. Samuel Wagstaff Papers, ca. 1932–85. Archives of American Art, Smithsonian Institution.

Reinhardt, Ad, and Bridget Riley, Poor Old Tired Horse 18. Ardgay, Scotland: Wild Hawthorn Press, 1966.

Richard Feigen Gallery. Bridget Riley. New York: Richard Feigen Gallery, 1965.

Riley, Bridget. “At the End of My Pencil.” London Review of Books, October 8, 2009.

———. “A Plea for Painting.” Interview with Michael Bracewell. Guardian, March 15, 1997, 18.

———. “Bridget Riley in Conversation with Sir John Leighton.” National Galleries YouTube channel, July 16, 2019, 12:25,

———. Riley to Robert Buck Jr., September 26, 1978. Bridget Riley Correspondence, Albright-Knox Art Gallery Archives.

———. Riley to Rose Gerlach, September 15, 1964. Yale Center for British Art Archives and Manuscripts.

———. Mondrian: Nature to Abstraction. London and the Hague: Tate Gallery; Gemeentemuseum, 1997.

———. “Mondrian: The ‘Universal’ and the ‘Particular.’” Burlington Magazine 138, no. 1124 (November 1996): 751–53.

———. Bridget Riley: Paintings and Drawings 1951–71. London: Arts Council, 1971.

———. “Painting Now.” Burlington Magazine 139, no. 1134 (September 1997): 616–22.

———. “Perception Is the Medium.” Art News 64, no. 4 (October 1965): 32–33.

———. “The Pleasures of Sight” (1984). David Zwirner website,

———, ed. The Artist’s Eye: Bridget Riley: An Exhibition of National Gallery Paintings Selected by the Artist. London: National Gallery, 1989.

Riley, Bridget, and Michael Harrison. Bridget Riley: Colour, Stripes, Planes and Curves. Cambridge and London: Kettle’s Yard; Ridinghouse, 2011.

Riley, Bridget, and Richard Shiff. Bridget Riley: Recent Paintings. New York: Pace Wildenstein, 2004.

———. Bridget Riley: Recent Paintings, 2014–2017. New York: David Zwirner Books, 2018.

Robertson, Bryan. The New Generation. London: Peter Stuyvesant Foundation for Whitechapel Gallery, 1964.

———. “Bridget Riley: Color as Image.” Art in America 63 (April 1975): 69–71.

Rose, Barbara. American Art Since 1900: A Critical History. New York: F. A. Praeger, 1967.

———. “Beyond Vertigo: Optical Art at the Modern.” Artforum 3, no.7 (April 1965): 32.

Rosenblum, Robert. “Reflections of the Tremaine Collection.” The Tremaine Collection: 20th Century Masters: The Spirit of Modernism. Hartford, CT: The Wadsworth Atheneum, 1984.

Russell, John. “Bridget Riley’s Show in Buffalo.” New York Times, November 15, 1978. Bridget Riley Exhibition Files, 1978, Albright-Knox Art Gallery Archives.

Schubert, Karsten. Bridget Riley: Complete Prints 1962–2001. London: Hayward Gallery; Ridinghouse, 2002.

Seitz, William C. Claude Monet: Seasons and Moments. New York: Museum of Modern Art, 1969.

———. “The New Perceptual Art.” Vogue, February 15, 1965, 141–42.

———. The Responsive Eye. New York: Museum of Modern Art, 1965.

Smith, Gordon M. Smith to Bridget Riley, September 17, 1966. Bridget Riley Correspondence, Albright-Knox Art Gallery Archives.

———, ed. Kinetic and Optic Art Today. Buffalo, NY: Buffalo Fine Arts Academy, 1965.

———, ed. Motion and Movement: An Exhibition of Kinetic Painting and Sculpture. Cincinnati, OH: Contemporary Arts Center, 1964.

Thompson, David. Bridget Riley. London: The British Council for the XXXIV Venice Biennale, British Pavilion, 1968.

———. “International Recognition for British Painting,” Times, December 31, 1963.

Tomassini, Alexandra, and Rosa Gubay. Bridget Riley: The Complete Prints, 1962–2020. London: The Bridget Riley Art Foundation; Thames & Hudson, 2020.

Tremaine, Emily Hall. A New York Collector Selects: Emily Hall Tremaine. San Francisco, CA: Society for the Encouragement of Contemporary Art, 1965.

Walker Art Center. London: The New Scene. Minneapolis, MN: Walker Art Center, 1965.

Whitley, John. “The Art of Riley,” Daily Telegraph, August 22, 1992, 16.

Wiggins, Colin, Bridget Riley, Michael Bracewell, and Marla Prather. Bridget Riley: Paintings and Related Work. London: National Gallery Company, 2010.